A gap in the market, no one else wanted to fill.

It started with a simple wish, to find a piece of bone inlay furniture that truly belonged in an Australian home.

Not in a Rajasthani palace. Not in a Marrakech riad. In a sun-lit Melbourne living room, against warm timbers and coastal tones, alongside the way Australians actually live.

What followed was a frustrating search that revealed an uncomfortable truth about an entire category.

The Search

  • Australia's biggest name. Three designs. All traditional.

    The country's most recognised bone inlay brand had presence but not variety. Three designs, deeply rooted in traditional South Asian motifs. Beautiful in their original context. But not designed with Australian interiors, palettes, or sensibilities in mind.

  • The premium option. Higher prices. Same story.

    Moving upmarket didn't solve the design problem. It just added zeros to the price tag. The same traditional patterns, repositioned as luxury. For those prices, we expected something considered. What we found was more of the same.

  • The rest of the market. Ready-made, off-the-shelf, everywhere.

    Smaller businesses had stepped into the space, but with imported ready-made designs — the same catalogues, the same pieces, interchangeable across a dozen storefronts. No original thought. No Australian eye.

So we did something about it.

  • Original Collections

    Every collection is conceived from scratch. Not imported, not off-the-shelf. We design with the Australian interior in mind: colour, scale, and mood.

  • Limited Editions

    We don't do mass production. Each collection is intentionally small and considered, not replicated. When a run is done, it's done.

  • Considered Colour Palette

    Colour palette is at the heart of every piece. We study Australian tones and interiors before a single design begins.

  • Distinct Voices

    Aura for the soft and serene. Signature for the bold and avant-garde. Different ways to bring this artform into a modern Australian home.